FLIPSIDE
  • Home
  • About
    • Marketing & PR
    • Music >
      • About Productions
      • Talent Development Program
    • Combat Sports
  • Audition
  • Music Store
  • Courses
  • Media & Blog
    • Blog
    • Podcast
  • Contact

5 KEYS TO BUILDING A BETTER SONG CATALOGUE

11/23/2021

0 Comments

 
Several people have asked the question, “What’s the best way to build a song catalogue?” Here are some key factors I’ve learned over the years after writing for several major publishing companies and building a new catalogue at each of them.
 
Write, write, write! There is no substitute for this. A catalogue is a collection of songs. You need to write everyday if possible. But at least as often as you can! This not only helps you become a better writer, but also gives you more variety material which increases the odds that you’ll have the right song for a particular project. The more your write, the bigger your catalogue would be and the more you have available to provide when needed. Plus, keep writing is always a great practice for your skills to get better and better. No matter how good you are, you always can get better. 

Picture
Recently I was watching one of very interviews of Max Martin and they asked him why for the past few years he wasn’t as active as he used to be in late ‘90s and early ‘00s. “Because I needed time to practice and get better.” He replied. Remember, this is MAX MARTIN saying these words. At peak of his career, when he was knowns as the biggest songwriter alive, he felt he need to take some time off and practice to get better. Let alone you and me!
Don’t write just one type or style of song. A great catalogue has an array of subject matter, tempos, emotions, and styles. The goal is to have a song you or your publisher can pitch in every situation. If an artist is looking for an up-tempo party song- you got it covered. If an artist is looking for a message song with deeper lyrics about the state of the world- you got it covered. You see where I’m going with this. It doesn’t happen overnight obviously, it takes time, but this is something you do by design. Respect all genres and all styles and write as many as you can in as many styles as you can. For sure for some writers, certain genres are better and it’s like their “speciality”, and it is great for you if you are one of those writers, but it still would be great for you if you can expand your game.
 
Write outside yourself. Write a little more about the world around you and a little less about your own small world. You will build a catalogue faster by writing about life around you. For example – you may be struggling with a divorce for two years; if you spend two years writing only about your struggles then you only have songs to pitch to an artist going through a divorce or wanting to sing about it. If you write about life around you, perhaps something you see on the news, something your waitress says at dinner, or something a friend is going through, then you can pitch your songs to all kinds of projects. Literally everything around you is a great topic. Everything. All you have to is to pay attention to what is happening and then find the right angle to look at it. You can still write about what you are going through but why limit yourself?
 
Co-write. This is extremely helpful in building a catalogue and increasing your chances of success from that catalogue. If you make regular appointments to co-write, you are more likely to write that day. Someone else is expecting you to show up and do your part, so you are less likely to get distracted by other things that are demanding your attention. An extra benefit to co-writing is there are two or three people when the song is completed who are working to get that song recorded and not just you alone. This is part of human nature, when you are doing things alone, you have a good chance of subconsciously postponing it or delaying it, but when you have a commitment to do something, you will get it done when and how you have to get it done. Create that sense of responsibility in yourself by making co-write appointments with your fellow writers, and be committed to your responsibility.
 
Mix it up. Write a mix of contemporary and classic. A mix of rock and hip-hop. A mix of metal and RnB. I always focus the majority of my time writing on the cutting edge. It’s where the new exciting stuff happens. It’s where I learn the most and explore new directions. It’s what most artists are looking to record. But my publisher will also come to me and say from time to time that so-n-so artist is looking for an old school song or retro feel. I need those too. The simple rule I use is this – if it’s a great idea that needs to be written in a classic style, I will do it. If it’s just an “okay idea” that wants to be written in a retro style I don’t bother.
 
So here are a few of the basic points I keep in mind each time I am starting to build a new catalogue. I’m about 6,000 plus songs into it – and it’s worked well for me and many of my co-writers!

Author

Hangi Tavakoli is our in-house established and professional music producer with more than 18 years of experience in songwriting, music production, mix and mastering. He has produced more than 3,000 and written more than 4,800 published songs to-date, including some major hits in international scale.

0 Comments



Leave a Reply.


      SUBSCRIBE FOR FREE WEEKLY UPDATES.
      We have one new FREE article on every Tuesday and Friday about music, music industry and the business aspect of it. Subscribe to our email squad to get notified on the updates.
    Subscribe

    Podcast


    Archives

    March 2023
    February 2023
    November 2022
    October 2022
    September 2022
    August 2022
    July 2022
    June 2022
    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    November 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021
    April 2021
    March 2021
    February 2021
    January 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    December 2019
    November 2019
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    October 2017
    May 2017
    April 2017
    November 2016
    September 2016
    August 2016

    Categories

    All
    Artist Interviews
    Music Industry
    Others
    Press Releases
    Songwriting


    RSS Feed


ABOUT FLIPSIDE

ABOUT PRODUCTIONS
​
ABOUT MARKETING
​
NEWS
BLOG
PODCAST

MUSIC STORE

FOR ARTISTS

OUR ARTISTS
MUSIC RELEASES
TALENT DEVELOPMENT PROGRAM
MUSIC COURSES

CONTACT

hangi@flipsidepm.com
​+65 8558 9773
​

Mon - Fri 9:00am - 8:00pm

SUBSCRIBE

    Receive news and updates in your inbox.

Subscribe to Newsletter


©2014-2023 Flipside Productions & Marketing Pte Ltd
All rights reserved.
  • Home
  • About
    • Marketing & PR
    • Music >
      • About Productions
      • Talent Development Program
    • Combat Sports
  • Audition
  • Music Store
  • Courses
  • Media & Blog
    • Blog
    • Podcast
  • Contact